Logo Bernard Delaval Career Français
It is in 1948 in the beautiful land of southern Burgundy that the first steps take place.
Very soon fingers, then hands start to scratch and shape the beautiful yellow red clay.
The creation of pearl necklaces is followed by that of characters or fantastic animals and earthen pots with the aid of an initial potter’s wheel made from a bicycle wheel: all this in an immense wine vat, named with the youngest brother, Emmanuel, “earth factory”, DEB WORKSHOP.

Then came the passion for wood and stone.
After dreary and depressing studies, it’s a diploma in Woodwork. But with no interest in doors or windows, training in modeling and sculpture with the chalk stone of Burgundy begins.

One morning in 1971, thanks to the eldest brother Christian, it is the discovery of the gilding trade, then the wonderful magic of gold fever which consumes the bloke from Burgundy.
After hitchhiking to Paris, a quick search in a telephone booth, porte d’Orléans, leads to the workshops of the Parisian gilders.
The Maury workshop is located at the top of the interminable Oberkampf Street, very close to “Menilmuche”.
That very afternoon Pierre and his wife Zélia Maury accept without hesitation to impart their knowledge, give their friendship.
They entrust everything, even the meaning of life, of listening to others, of all others.

These two years pass too quickly and at 22 years of age it is the installation of a gilder’s workshop, with the older brother Gérard, painter and restorer.
The younger brother Emmanuel, sculptor and restorer, also joins the BOULEVARD THIERS WORKSHOP.
Very soon the shop of the three brothers becomes a training ground for multiple artistic expression.

And with the reputation of their work, large orders arrive.

600 years after the famous gilder Broederlam, the restoration of the two magnificent altar pieces of the Dukes
of Burgundy is entrusted to the workshop. Newspapers, television and film cover the event. Seven young apprentices
are employed and trained and become companions of the workshop. Work orders from the National Trust Monuments
and French Museums follow in quick succession and private customers rush in. So much so that in 1981 it is the exile
from Dijon; two companions take over the workshop.

With wife and fellow gilder, Solange, doreuse “à dor(ée)r” and the three children it is the arrival in Lancharre- Chapaize,
not far from Cluny, in an old 17th century tile works. The family expands with the birth of two adorable boys. This splendid
Lancharre workshop is swarming with laughing children. They live in a 100 square metre workplace opening on all 4 sides
to the magnificent Burgundian forest. With this professional renewal an exceptional order arrives: seven years of work
to restore the gilded pieces of art of the entire Grenoble museum, a gigantic, enthralling project awarded to them
by Serge Lemoine. Three companions are hired to learn the trade. Little time is left for creativity, but a few days
are set aside each month. A series of contemporary mirrors is created, testimony to the gilded wood exhibition
“Gold and its Myth” at the Grand Palais in Paris. A series of gilded sculptures allows the perfecting of new techniques to satisfy the creative urge.

And then on the 6th June 2012, at 64 years of age, in full command of manual dexterity, after 46 years of restoration of wooden gilded works of art, a page is turned. The workshop is completely emptied, tools and machines sold, enabling the purchase of a ceramic kiln. And on the 3 big benches, 10 sculpting tools, 2 scalpels, 1 sponge… come to life. It is a return to the origins of the workshop: in the 15th century the Beguines of the village, the Ladies of Lancharre, established this beautiful tile works and the workers follow one another until the start of the 20th century. Today the clay is worked and fired, no longer for roof coverings, but to be adorned in gold.

In 40 years’ time… the continuation of this beautiful story.


1948-1963: Childhood in Burgundy. Modelling and sculpture in local clay.

1966-1967: C.A.P. certificat of aptitude professional. Matriculation in modelling and sculpture.

1969-1971: Apprenticed to Mr Maury in Paris.

1971-1981: Workshop in Dijon (antiques, private clients, Brandermlam religious alterpiece and sculptures, frames from the Grandville collection, from 17th centuryDijon Museum collection…).

1980: creation of a doreur assistant position for his wife who becames a doreur and partner in the workshop.

1981: Establishment in Chapaize (historic monuments works for the churches an cathedrals in eartern France. Grenoble Museum (1988-1995).

1990: Commission for a mural, 1% at Moissy Cramaielle.

1991: Commission for a mural, 1% at Hénouville.

1992: Commission for a mural, 1% Général post Office Paris.

1997: Medal TheAcademy of Architecture for the restoration of theThénissey alterpiece.

2000: Instruction at a sculpture Workshop classroom in Mount Gambier, South Australia.

2001: Heritage prize (prix du Patrimoine) for the restauration of the Saint Huruge alterpiece.

2003: Commissioned to the treasures of the French Museum collection (Paray-le-Monial, Chalon-sur-Saone, Dijon, Lyon, Lons-le-saunier, Epinal, Clamecy… The Cathedrals of Dijon, Autun, Auxerre…).

2011: Heritage cultural inventory for U.N.E.S.C.O.

2012: Dedication to Art.


List of major works for Historial Monuments:

⁃ Alterpiece and statuary: Vignolles church.
⁃ Monumental frames: Bar le Duc church and Voué castle.

⁃ Grand frames: cathedrals of Autun, Auxerre, Dijon and Nevers, Churchs of Cérillly, Chassignolles, Cry-sur-Armançon, Givry, Macon, Villers-le-Haut.
⁃ Frames: Museums of Bussy Rabutin, Greuze in Tournus, Hospices of Beaune, Churches of Cuisery, Gevrey-Chambertin, Laives, Premery and Saint-Martin-sous-Montaigu.
⁃ Candelsticks: Rouvres-en-plaine, Ruffey, Beaune, Cathedral of Nevers.
⁃ Credence and reliquary: Cathedral of Autun.
⁃ Exhibition, console table and chair of the Image of the Ascension of the Virgin Mary: Church Rosey, Bissy-sous-Cruchaud, Corcelles-les-Arts.
⁃ Alterpieces: Churches of Argilly, Beaume-la-Roche, Montccenis, Saint-Huruge, Thénissey, Villiers-les-Hauts, Villiers-en-Auxois.
⁃ Replacement of guilded wood in sulptures: Cathedral of Nevers, Churches of Montcenis, Noiron-sur-Seine and Saint-Huruge.
⁃ Gilded wood: furniture in the Tournus Museum pharmacy, the chair of the Church Saint-Pierre in Varennes, the clock and papal regalia «ombelino basilical» of Nevers, 17th century wooden embellishments in the salon of Montagny-sur-Aube castle, light furniture of Fleury-sur-Ouche church.
⁃ Processional lamps: Mouthiers en Bresse church.

⁃ Frames of gilded and lacquered wood: cathedrals of Autun and Nevers, hospices of Beaune, Bussy-Rabutin Museum, Greuze Museum of Tournus, churches of Apoigny and Laives.

⁃ Frames: The Churches of Beaume-la-rolande, Ferrière-en-Gatinais, Sully castle.
⁃ Trumeau: hotel d'Escure Conseil général Orléans.

⁃ Frames of gilded and lacquered wood of the churches of Beaume-la-Rolande, Ferrière-en-Gatinais and Saint-Denis-l'Hotel.

⁃ Frame antepandium : Bessan church.
⁃ Devotional sculpture and panels: Bey Church.

- Frames: Beauvais cathedral.


- Musée d’Art et Histoire AUXERRE.
- Musée Rollin AUTUN.
- Musée d’Art et Histoire CLAMECY.
- Musée d’Art Sacré, Musée des Beaux Arts, Musée Magnin DIJON.
- Musée des Beaux Arts LONS-LE-SAUNIER.
- Palais Lascaris NICE.
- Musée Chintreuil PONT-DE-VAUX.
- Musée Greuze TOURNUS.
- Musée de la Révolution VIZILLE.

CONSERVATION RESTAURATION for the entire collection of frames1988 to 1995:
- Musée des Beaux-Arts GRENOBLE.

CONSERVATION RESTAURATION and CONSTRUCTION of the collection frames, 2004:
- Musée Hiéron de l’Eucharistie PARAY-LE-MONIAL.

- Musée Gadagne LYON.

CONSERVATION RESTAURATION of 7 frames from the collection of the Princes of Salm, 2008:
- Musée d’art ancien et contemporain EPINAL.


Bernard Delaval, gilder and sculptor in gold leaf - Lancharre - 71460 CHAPAIZE - FRANCE - Phone: +33 (0)3 85 50 13 97 - delavalbernard@wanadoo.fr